VIZ. ARTS
Weekly meditations from your humble messenger

Two Lovers, Half a Man
(Two Lovers, 3/9/09)
By Nicholas Nicastro

When it comes to collecting nubile lovers, chances are Leonard Kraditor (Joaquin Phoenix) has exactly two more than you. But that doesn't make him worthy of your admiration.
      In the first scene in James Gray's last-exit-in-Brooklyn romance Two Lovers, the heartbroken Leonard jumps into Jamaica Bay. His fiancée, you see, has left him because both have tested positive for carrying Tay Sachs disease. It's probably not a spoiler to say he doesn't succeed in killing himself, since the title of Gray's movie is predicated on what happens next: Leonard finds consolation not with one but two young women from the neighborhood—Sandra (Vinessa Shaw), the lovely and willing marriage prospect, and Michelle (Gwyneth Paltrow), the blonde, vulnerable, high-maintenance shiksa from Hell. Guess which one Leonard falls in love with?
      From a certain angle, Two Lovers is very watchable. Gray, who voyaged to the outer boroughs in 1994's Little Odessa, has made this one with a spare understatement that feels as authentically Brooklyn as Nathan Original hotdogs (no ketchup, thanks). Phoenix plays Leonard like a young but nebbishy Brando, with an appealing physicality and what sounds like a fistfull of cotton-balls in his mouth. He's cared for by a pair of adoptive parents, played with tender affection by Moni Moshonov and Isabella Rossellini, and finds good chemistry with the pitch-perfect Shaw. Paltrow, who appears here quite a bit younger than her 36 years, evokes well the kind of woman whose beauty conceals a neediness that can seriously up-end a man's life. It's not a particularly ambitious story, but not a trivial one either. So what's to quibble about?
      Of their conception of Phoenix's character, screenwriters Gray and Ric Menello tip their hands when they have Leonard jokingly refer to himself as "next in line to the throne of Denmark." And the Hamlet of romance he is, unable to make up his mind between embracing Sandra or chasing Michelle. But Shakespeare's Prince of Denmark is not interesting solely because he's conflicted—he's also clever, articulate, passionate, and loyal. Leonard Kraditor, alas, is no Hamlet. He's is the kind of guy who lets the love of his life get away because of a genetic test (anybody in Brooklyn ever heard of sperm or egg-donorship?). He takes arty pictures of storefronts and vacant lots and stuff, and he humors his parents by pretending to be interested in their dry-cleaning business, but mostly he just sleeps late and mopes around. He's pretty much the textbook definition of a shmoe, a shmendrick who deserves all the tsores he has coming to him. And that's before the end, when Leonard makes a final, monumentally selfish gesture that makes a shnook of Sandra too.
      Interestingly, this may well be Joaquin Phoenix's last role. According to the tabloids (and confirmed by no less formidable a source than Casey Affleck), Phoenix has decided to quit acting because, well, "he's got music and stuff." By "music", he means his burgeoning career as a rapper, which recently got off to a flying start when the new J-Pho made his debut at the Las Vegas nightclub, busted a few rhymes, then fell off the stage. It's hard to blame him, of course—playing Roman emperors and sharing onscreen love with the likes of Paltrow and Shaw can get old pretty fast. Once you've played the Hamlet of Brighton Beach, where else can you go?

©2009 Nicholas Nicastro

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